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Bridgette | ✤ | 19 | cis girl (she/her)


an eclectic dump of fandoms and shiny things.

my artblog is over here! pls check it out ♥♥



butterflyshark:

dizmama:

ryuuhoho:

this is going to kill my hand jfc why did i decide this was how I wanted to do the hair wh y 

here is a MUCH HAIR tip that will probably make your life %10 easier!pick any brush u want and freely sketch yo hair

ctrl + click the hair layer to select it

increment by 1 or 2 depending how thick you like your lines

make a new layer under your hair layer

fill with desired color


I’m already almost done lining this hair monster but thank you so much for the tip I’ll use it the next time I draw shiroba!

butterflyshark:

dizmama:

ryuuhoho:

this is going to kill my hand jfc why did i decide this was how I wanted to do the hair wh y 

here is a MUCH HAIR tip that will probably make your life %10 easier!

pick any brush u want and freely sketch yo hair

image

ctrl + click the hair layer to select it

image

increment by 1 or 2 depending how thick you like your lines

image

make a new layer under your hair layer

image

fill with desired color

image

I’m already almost done lining this hair monster but thank you so much for the tip I’ll use it the next time I draw shiroba!

  #reference    #sai    #q  

borichas:

I did a little tutorial on how I draw big, wavy hair. This is a personal style guide, so it has things I myself try not to draw and isn’t trying to bash other styles! but in general I’ve found that it helps to have a steady, light hand when drawing things that swoop and curl: the more control you have the better

and the two biggest inspirations over the years have been alphonse mucha and CLAMP

if you need anything clarified/questions totally feel free to ask :>

  #reference    #q  

keikilanidraws:

sno4wy:

How To Draw Better In 2 Minutes

I expected this to be a troll video about sacrificing your soul in exchange for art skills or something but this was actually very informative.

  #video    #reference    #q  

angerliz:

kalidraws:

Today I gave my students a quick presentation on some of the basic considerations for composition, which I am now sharing with you! I’ve given them separate talks about color and tonal value/contrast, which are also super important compositional concerns. (I’ll be sharing those presentations too once I properly format them)

I personally love learning about different compositional techniques. It’s fun to think about the ways that the brain views & sorts images, and how we can trick it into feeling a certain way or looking at certain aspects of an image first! It’s easy to fall into compositional ruts (which I am also guilty of) because a lot of art gets by with mediocre, though serviceable, compositions. If you can generally understand what’s happening in an image then it’s generally fine. However, it’s the truly great compositions, where everything in the whole image has been considered and ‘clicks’ together, that bump up an illustration to a visual slam dunk. NC Wyeth is one of my favorite artists for this reason: his compositions are rock solid, varied based on the image’s intent, and always enhance the mood or action he is depicting.

For extra reading, some online compositional resources that I’ve found helpful or interesting include:
Creative Illustration by Andrew Loomis (download it for FREE. Such a great book all-around.)
Gurney Journey (check out the “Composition” tag, but really everything he posts is great)
The Schweitzer guide to spotting tangents
Cinemosaic (a blog by Lou Romano with some truly WONDERFUL compositions captured from various films)
Where to Put the Cow by Anita Griffin

Happy composition-ing!

a really great primer on composition by the incredible Kali Ciesemier!

  #reference    #composition    #q  

ricelily:

All these pages are 8.5x11, 300 dpi. Feel free to print it out in full size if you like physical copies

Comics and Comic Artists

Jake Wyatt- deviantart tumblr

"Welcome To Summers"

"Soliloquy"

Suggested Reading/Books:

Scott McCloud’s “Making Comics” (entirely done in comic format)

Exercises/Practices/Tutorials:

Lettering

Speech Bubbles Mistakes

Paint Bucket Resource

Storyboarding and Camera angles

What is DPI?

Transferring Traditional to Digital (Photoshop Tutorial)

  #reference    #comics    #q  

zoocanvas:

Animating and Drawing 4-Legged Animals
(Author Unknown)

  #animation    #reference    #fauna    #q  

worlds fastest repeating bg tutorial

alexinglasses:

So make a new file in photoshop like this…

image

now create whatever it is that you want, make sure it’s centred in the square then duplicate the layer

image

now go to filter>other>offset 

image

set the offset to half of the width and height of the box and select the “Wrap around” thingy

save as a png and then apply as your background

image

bam

hope that was helpful!

  #reference    #patterns    #q  
Just curious on how you approach composition and perspective. I feel as if sometimes I think too hard, not really about what to draw but how to draw it and make it look interesting. The comic panels you have been doing are amazing. Any tips/references on improving my knowledge of composition and perspective? What do you think about as you lay your pencil on the drawing paper? what goes through your mind?

jakewyattriot:

*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.

Okay. Let’s do this.

1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.

Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.

Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.

2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.

Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.

3. Sketch around in rough perspective. NO RULERS.

So let’s make some simple space. let’s start with a two dimensional surface…image

K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.

image

Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)

image

And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.

You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:image

Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?

3. Sketch around in rough perspective MORE. STAY LOOSE.

See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.

image

Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.

Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.

4. Draw environments from life.

I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.

You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:

image

Learned from the receding, winding space I tired to draw here:

image

Layered, interior spaces:

image

You get the idea.

image

Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.

image

Take a second and just draw a quick sketch of whatever room you’re in.

5. Perspective in formal Illustration: apply what you’ve learned.

1. I always start with research. For this particular location I looked at Angkor Wat.

2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.

3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.

image

4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.

5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.

And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you.

-Jake Wyatt

  #scenery    #reference    #q  

anatomicalart:

Let me link Yall’ to this holy grail.
I present to you Character Design Reference
on [Pintrest] || [Tumblr] || [Twitter] || [Facebook] || [YouTube]

I couldn’t even include all of the reference boards this blog contains on this photoset. That’s right! There’s EVEN MORE! There are pages and pages of them! It is an inspiration treasure trove!
Bookmark this link!
Fill your life with inspiration!

  #resources    #reference    #rebagel for later    #q  

coffeeandcockatiels:

harunnn:

asieybarbie:

Lately I’ve been asked several times on how I was able to get undocked windows in SAI, so I thought I’d share how I did it. It’s super easy!

1. Here you have your default panel layout of Paint tool SAI enabled. 

2. Close the program. Go to wherever folder your Paint Tool SAI is installed. Find a file called ‘misc.ini’, and click to open it in any text editor of your choice. Notepad should suffice.

3. Scroll down to locate “Popup panels” underneath Panel settings. Search for “PopupPanels = 0” 

4. In order to change the embedded panels to pop-up windows, simply change the “0” to “1”. Then [Ctrl + S] or [File > Save] to save the settings. 

5. Re-open SAI, and now you have undocked pop-up windows! YAY.

6. You can move them all around and resize them to your heart’s content. AWESOME. 

THAT’S IT ♥

omgggggggggggg look guys!!!!

WOW DOING IT YEAAAHHHHH

  #sai    #paint tool sai    #reference    #q  

artbymoga:

the-hopeful-actor:

thatoboekid:

tamarussia:

sungodphoebus:

ohgoditsafurry:

foervraengd:

Okay so I followed this video about foreshortening and…

Sycra. I love you so much for making this video.

YOU GOTTA BE FUCKING SHITTING ME

guys

GUYS

SHIT

image

SHIT GUYS

are you shitting me right now

years of me avoiding foreshortening aND IT WAS THIS EASY??

reblogging againg because holy cow, this HELPS

I’ll just have to watch this soon

I SERIOUSLY REBLOG THIS EVERTIME IT’S ON MY DASH! IT’S SO HELPFUL!!

  #!!!    #reference    #video    #q  
Hi! I keep seeing people talking about "chira's confident line tutorial" and I've been trying to find it, as I absolutely adore your linework, but so far I've come up empty. Is it still available somewhere online?

chirart:

Gosh! People talk about that tutorial that much? I did that years ago back in the olden days of LiveJournal. But here, let me rehash it:

On a Confident Line

Read More

  #reference    #q  

thesilvereye:

If you would like to request a tutorial, you can do so on this post over here!
Eye Coloring Tutorial by me | Other Eye Tutorials: 1 2 3 | My Resource list for Faces and Heads

  #reference    #face reference    #q  

bluekomadori:

The tutorial of how I achieve watercolor effect in Sai! :) I highly recommend using real watercolor paintings (your own or ones found on the internet) as reference.

And here you can find a few useful links: 

  1. You can download the Sai file of this picture here: link 
  2. Video process of painting another picture: link
  3. The old watercolor tutorial: link
  4. Sai brushes (none of them is made by me) link + file you need to open them in Sai: link
  5. Awesome watercolor brushes made by Kyle T Webster: link

Here’s the finished painting: link

  #watercolors    #sai    #paint tool sai    #tutorial    #reference    #q  

ziggyzagz:

sketchchump:

I was on the toilet with that last ask I answered so I decided to actually sit and try to help the best way I can. Anon, I’m still in an art rut especially with anatomy and I’m totally not the best with it, but let me link all of you to some things I like to look at on my spare time.
I don’t have any anatomy art books, so I wouldn’t know who to recommend, but I DO have a lot of youtube videos I watch. Here’s some that might prove usefeul::

  How to Draw: Foreshortening with the Coil Technique
How to draw twisting forms

How I sketch Poses

Force Drawing with Mike Matessi part 1 « fav

Force Drawning with Mike Matessi part 2 « fav

Gesture drawing with Chris Warner

Analytical Figure Drawing with Michael Hampton « fav

Michael Hampton part 2 «fav

How to Draw Gesture with Proko « fav

how to draw structure in the body with Proko « fav

How to draw from reference with Will Terrell  « fav


My favorite books that I have on hand to practice gestures/anatomy with ARE MY HOLY BIBLES.
This one has a wide variety of body types and therefore is my fav…the chubs….>:3

image

image

image

image


The main idea to keep your gestures from looking stiff is to remember the line of action
image


ALSO SERIOUSLY JUST GOOGLE ANYTHING from man butts to back to arms to head angles if you cannot sit in a figure drawing class like me. Here’s a short gif of my process to sketching a quick figure

image

I’M STILL LEARNING MYSELF and it’s fun to practice with friends!! I also enjoy playing around with styles, majorly disney artists such as glen keane
Edit: Pixelovely is a good gesture drawing site

Many resources to help you DRAW THEM BUTTS

  #body reference    #pose reference    #reference    #q